|
|

Through
centuries, color has been an expression and silent language
of Life, Man, Nature and Culture.
Plato, Aristotle, Pythagoras, Goethe, Michael Angelo, Voltaire, Newton
& many more scientists, creatives,
alchemists, philosophers, writers, and artists, lived in a continuous quest
for the magic within light, color, and sound.. For each of these seekers,
“color” is seen from a different view. For the physicist, color is
only in the physical realm. The psychologist, on the other hand, focuses on
the intellectual perception or
interpretation of color. Artists, writers, and poets view color as a
Universal presence, where colors are an integral part of the essence of
life.
BUT
WHAT IS COLOR..IS IT THE REFLECTION OF LIGHT OR A
HIDDEN VIBRATION THAT SENDS US CONTINUOUS MESSAGES FOR US TO LIVE WITHIN
THE FLOW OF THE UNIVERSE?
WHO
ARE WE?
AM I
THE DRIVER OF THE CAR? OR THE DRIVER WITHIN THE DRIVER?
As an artist, I was not satisfied with the traditional painting methods.
I needed a technique that could express the inner Life of Man, as well as
portray the direct expression of my soul. Artists have always painted
light, as the manifestation of the divine. For me, the divine is within, so
my search to show that Inner-life and light of Man began in 1980. It
took me several years and a lot of research and experimentation to create
my unique “Invisible Art & Light
Technique”©.
My technique exposes the light and life that exists at
higher vibrations beyond what we can see with our eyes, and that approaches
the vibrational levels of the soul.
|
|
|
The
“Invisible
Art & Light Technique”©, is in vibration, an octave higher than
the vibration of the violet color, which
means: it is beyond the body of the violet
color. Because of its reaches beyond the visible spectrum, black
light, combined with natural light, are needed to view my paintings using
this technique. Under the black light, viewers can experience the
transformation of each painting from an oil on
canvas depicting the physical world to an incredibly vibrant painting that,
when the lights are dimmed, expose the non-physical world that surrounds
us. Viewers experience a breakthrough to a new path and a new
consciousness.
More About Color
The Violet Color:
Violet is the color of
the seekers. It has the highest vibration of all colors and corresponds, in
Music, to “Ti” and, to in the planetary cycle, to the Moon. Wagner had his
studio painted in violet, and composed his music to the vibration of the
violet color. Many artists have used violet’s high vibration to inspire
them in their creative expressions. Masters have “talked to humanity
through the emanation of this high vibrational
Ray. As a fountain of violet singing flame, the Blue or Purple Flames have magnetized
people for centuries, from near and far to be set free from every binding
condition of body, mind and soul.
THE ULTRA-VIOLET RAY is called ultra because it goes “beyond our senses”
It is the frequency that connects us between our bodies and our Spirits.
Saint Germain has given us the violet-flame decree:.
"I AM a being of violet
fire! I AM the purity God
desires!
Glossary
Definition: Ultraviolet
Ray: “An invisible form of energy which is given off by the Sun. “
"Matter is a heap of ruins of
the spirit." Imagine an invisible stream that
breaks into visible pieces when it hits an obstacle. The stream is spirit
(or form, as Rudolph Steiner calls it), the visible pieces are matter. This
concept reminds me of Einstein's equation E=mc2, which
may be written as m=E/c2. Thus written we can say that
matter (m) is energy (E) that has been stopped in its flight
(c2). In fact, light is invisible while in flight, only
becoming visible upon being absorbed by a perceiver. Physicists know how to
convert mass into energy by fission and fusion processes, but are helpless
at converting energy into mass, except for small increases of mass noted
when elementary particles like electrons are sped up in a particle
accelerator. The wholesale creation of mass from energy seems to be a job
for the spirit, and Steiner suggests how the process proceeds.
The Electromagnetic Spectrum
“The entire electromagnetic spectrum is made
up of ultraviolet, visible light, and infrared. The human eye can only see the
light sector of the spectrum. That is Red, Orange, Yellow, Green, Blue, Indigo and
Violet. (ROY G BIV is how I was taught to remember it in school). These are
also the colors you see in a rainbow after a rainstorm.”
Visible Color
Color is the thing we perhaps notice most
about light in the world around us. But why we see colors the way we do all
has to do with light. The reason something appears to be the color that
does is that the object is absorbing all the other colors of light except
the ones we see, which are reflected back to our eyes. If something absorbs
all the colors, it appears black, if it reflects everything, it appears
white. Color comes from what is called the visible spectrum of light.
Scientists measure the wavelengths of light in this spectrum in nanometers
or billionths of a meter. Red has the longest wavelength,
and violet has the shortest. So, what color we see depends on the
wavelength of the light we absorb into our eyes. The primary colors are
red, green, and blue, from these
colors, every other color can be made.
Invisible Color Spectrum
The
ultraviolet and infrared are wave energy that can not be seen by our eyes.
William Herschel began down the road to discovering the electromagnetic spectrum
in 1799. He wanted to find out how light and heat were
connected. He used a prism to break up white light and used a thermometer
to measure the temperature of each of the different colors. Each color, he
found, did not have the same temperature. Red had the highest reading of
all of the colors, while violet gave the lowest.
Ultra violet
At the other end of the spectrum, past
violet, is ultraviolet. Ultraviolet was discovered by Wilhelm Ritter in
1801. He dipped strips of paper into silver nitrate and shown certain types
of light on them. Silver nitrate goes under a chemical reaction when
exposed to light, and Ritter found that the reaction was different
depending on the type of color that was shined on it. When exposed to
violet light, the paper would turn much darker than any of the other
colors. Knowing that Herschel had found unseen light at the red end of the
spectrum, Ritter decided to see if there was at the violet end. When he did
this, the paper turned darker than when exposed to violet light, proving
that there was light beyond violet. This invisible light was named
ultraviolet. Ultra violet light is often given off by the sun.

|