As a result of her research and obsession for her medium, Jacqueline Ripstein has been rewarded by inspiring thousands of people ..Her obsession to discover a New Technique in Art took her to patent the first Art in Motion , adding movement to Art ,later in 1982 ,she applied for her first patent of the unique Invisible Art & Light Technique © a legacy to humanity ,it brings art to a new dimension as Mozart did with music his music inspires us ,nourishes us , heals the stress and heals us without us even realizing it .The Invisible technique based on the use of higher frequencies promotes the healing effect in our bodies .
Jacqueline’s proposal to the
world is that...
“
Art contains the power to penetrate into the very depths of
the soul.” It’s high frequencies are Invisible
codes of communication between our bodies and the truth of
the Universe , they help us to reconnect to the eternal being
within us “ Using Art as a guidance and healing for humanity
towards the 21st century. She has been inspired to awaken us
:“Art is a silent language that is the essence of existence
, it unites the world into a Oneness , without boundaries or
separation”. Using Art as a vibrational tool knowing
that “the universe is composed of a perfect harmony of
many colors and sounds interacting and vibrating together,
by tuning into this colors and sounds Man can live in his higher
octaves , being what creation intended him to be :“the
reflection of the Light of God .”Jacqueline Ripstein ©
“Jacqueline Ripstein’s work, the liberty of ideals
is based on an equal liberty of execution and at the same time,
allows admiration of this artistic language through the mastery,
of the brush, the colorful accuracy and the great spiritual
richness of this visionary who has created an original form
of expression. Besides being an outstanding artist, Jacqueline
Ripstein is intellectually grounded in mysticism and the sciences
to create polyvalent and fascination symbols that make her
painting innovative and transcendent. Her audacious combinations
of shapes and highlighted by images of delicate poetry, rich
design and tones. In summary, her contribution to the technique
and expression of painting, has made her a first-class artist
anywhere in the world. …
BERTHA TARACENA, Mexican Art
Critic Member of the international Association of Art Critics
(AICA) Mexico,1978
“THE SYMBOLIC MAGIC OF JACQUELINE RIPSTEIN"
Her paintings are disturbing and suggestive due to the conceptual
spirituality and surrealistic splendor of this expressive
language.This artist has obtained her creative seasoning after a demanding
and decidedly self –taught, formative period in her life
and following a lengthy and successful path of exhibitions
,celebrating her art form which it’s years ahead of it’s
time ,in Mexico California, Texas and New York
It’s really unusual that during this times of superficiality
and of social unimportance that this young artist would be
involved in the gloomy world of symbolism. Especially when
she’s trying to express the eternal problem of man and
God in Nature and its creative elements. She wants to be the
pioneer of a new artistic movement that contributes to mysticism
by utilizing images that persuade humans to forget the materialistic
daily life and return to spiritual values.
Jacqueline Ripstein anxious and hopeful to discover the “Divine
light” in her paintings experimented hours and hours.
She finally was able to paint ambitious works of religion whose
theme’s way between tales of biblical punishment and
the joy of celestial visions that have double meanings. Dependent
on how you viewed the painting under natural or “black
light “different emotional communication could be established.
Her paintings demonstrate a dramatic change .Under natural
light ,the images are alive and cheerful, and under the black
light they are mysterious figures, a fundamental key to unraveling
the sublime message that each portrays. It was without a
doubt a genuine discovery .A value added of course, to the
artistic
value of each painting.
It brings to mind the expressionist surrealism that was characterized
by the Flamenco artist ,Hironimus Van Akeken (known as El
Bosco).With his anarchic and cunning compositions and mocking
attitudes,
he intrigued.
There is absolute agreement between Jacqueline’s art
and human regression to the level of spiritual values. Although
there is a difference in her expression. Jacqueline’s
paintings do not portray a mocking attitude.
Her ambitious intentions, spiritual surrealism and possibility
for dual messages are obvious in her paintings, but the interest
of the critic has to focus strictly on the positive pictorial
values .She is a master of amiable drawings, she treats light
with uncommon diversity, and her sensibility and knowledge
culminates in the internal harmony of her paintings and in
the delicacy of her palette.
It is unquestionable that after her art and Spain have established
contact, Jacqueline Ripstein will encounter the apex of her
sensitivity and be in the peak of her profession.
ANTONIO
COBOS :(1994) Dean of Critics, Spanish Art.Co-Founder “AECA”,
Spanish Association of Art Critics, Member “Association
International des Critiques D”Art.
“Art in general and the genre of painting in particular is a concept that
lives and finds refuge in the creator’s continuos contributions from centuries
upon centuries of intense exploration, Fundamentally throughout this century,
more than many other century in history, artist have searched for new frontiers
and unknown languages trying to find that one expression that could define them,
to become what only a few are called to become. Among the fortunate, Jacqueline
Ripstein, for whom art is a star that illuminates her and others its distinguished
generosity to allow a picture to go beyond a simple representation, creates on
canvas a dazzling spectacle that burst with surrealism symbols evoking emotion
from the viewer. And, this is true because her entire work is part of a message
that , oil like matter organizes on the canvas to invite you to enjoy with devoted
and admiring silence”.
ANTONIO MORALES,(1994) Director
of “Correo del Arte” & “Correo del Arte Hispano”,
Honorary Member of the Spanish Association of Painters & Sculptors, Academia
de Bvellas Artes Espanolas, (Fine Arts Academy of Spain)
“
Jacqueline Ripstein’s search for God and her knowledge of human nature
has given her the power to create paintings that touch our hearts & souls
t through a silent language, a prayer. Extensive scientific research that culminated
in a unique discovery allow us to say that she is undoubtedly the creator of
the invisible technique. This gives her work an evocative power, a mysterious
atmosphere, which is acentuated by the artist’s charisma”
JANE CHIROUSSOT CHAMBEAUX,
Conservator Museum of Modern Art, Unet (France)(1996)
JACQUELINE RIPSTEIN: “ARTIST OF MYSTICAL REALISM. For
contemporary Artist approaching the 21st century, the subject
of spirituality is not an easy one
to address in a society that is most often cynical and secular, and comfortable
with modern paintings styles that are abstract and objective. Through here art
she has the power to enter new pathways leading toward the internal light. Her
paintings are a testament to this commitment and reflection of life’s experiences
in body and soul”
DR. CAROL DAMIAN, Professor of Art
History of Florida, International University(1996).
“
OUR LADY OF THE UNIVERSE GODS GIFT TO THE WORLD”: Painted by artist
Jacqueline Ripstein
Now a days it is extremely difficult to paint a Christian theme, which has
been produced in abundance during several centuries.
To produce such a theme today requires great creative capability now to return
to preexisting patterns. This is the case in the work of Professor Jacqueline
Ripstein: In her painting entitled “Our Lady of the Universe god’s
gift to the world”, creative capability surfaces and not lines perfection.
The composition is organized in a tri-dimentional plane; the background stands
out with a mild contrasting color mixture, where color governs the form,
framed in wrapping movement from which the Virgin emanates.
Her physical structure combines static’s with movement. The statism
and at the same time dynamism of the virgin carries and expression transmitted
to
the spectator as tenderness a sensibility arises.
Although the peacefulness of the Virgin touches the limits of weeping, it
remains wrapped in a beautiful environment, very pleasing to the spectator
eye. The
composition Recalls Renoir in the movement with infinite expression, skillfully
accomplished;
and the movement recalls the Baroque without mixing with the abrupt of this
current.
The handling of closeness, remotes, rests and movements weld well with the
abstract elements, realistic and surrealistic, flourishing outstanding symbolism
which
allows each spectator to emit subjective judgements.
Moises Cattan Mansur Mexico APPRAISAL & Art Critic
October 28, 1997, Mexico D F
“OUR LADY OF THE UNIVERSE ,God’s Gift to the
World ” The Blessed Virgin Mary, the Universal Mother
and Queen of Peace, is the world’s most beloved woman.
Every day, for centuries, her name finds its way into the prayers
of people everywhere.
Jacqueline Ripstein has painted an image of the Virgin Mary
for all people, for all time. Her beautiful Our Lady of the
Universe brings the traditional representations of Mary into
the twentieth century, while never sacrificing her ageless
spirituality. Using a unique and new invisible technique (patent
pending Jacqueline Ripstein) that combines oil with gold for
exquisite effects, Jacqueline captures the radiant lighting
of the Virgin’s celestial being. The radiance of Mary’s
beauty is even more striking when revealed with black light.
To gaze upon Our Lady of the Universe is an emotional experience
that transcends the merely physical recognition of the most
highly revered woman in history. Through her exquisite painting,
Jacqueline Ripstein hopes to reflect the feelings of everyone
who seeks peace, unity and love, and to inspire an answer to
Mary’s call to come to G-d.
Dr. Carol Damian (August
1997)Associate Professor of Art History at Florida International
University in Miami, Florida, and author of The Virgin of the
Andes: Art and Ritual in Colonial Cuzco.
